Who is Katou Kahoru? Basically, almost nothing is known about him, not even when and where he was born or what his true name is. Searching the internet claims that he is the author of a book called A Titanic Orphan, whose publisher and publication year are unknown.
Katou Kahoru is an excellent example of what French theorist Roland Barthes called The Death of the Author: The author, when believed, is always conceived as the past of his own book: the book and the author are situated on the same line, distributed like a before and after: it is supposed that the Author nourishes the book, that is, exists before, thinks, suffers, lives with it; has with it the same relationship of ancestor that a father has with his son. On the contrary, the modern writer is born at the same time as their text; in no way is he provided with a being that would precede or exceed their writing, in no way is he the subject of which their book would be the predicate; there is no other time than the time of enunciation, and all the text is eternally written here and now.
Each drawing is like a micronarrative where information condenses to the maximum in punishment applied, without the artist giving up on the details of clothes and decorations, which end up giving the scene an air of theatricality. The red and pink applied to some details of these scenes emphasize even more the lust.
link:https://www.youtube.com/watch?v=6gfh2WQV25M
Katou Kahoru is an excellent example of what French theorist Roland Barthes called The Death of the Author: The author, when believed, is always conceived as the past of his own book: the book and the author are situated on the same line, distributed like a before and after: it is supposed that the Author nourishes the book, that is, exists before, thinks, suffers, lives with it; has with it the same relationship of ancestor that a father has with his son. On the contrary, the modern writer is born at the same time as their text; in no way is he provided with a being that would precede or exceed their writing, in no way is he the subject of which their book would be the predicate; there is no other time than the time of enunciation, and all the text is eternally written here and now.
Each drawing is like a micronarrative where information condenses to the maximum in punishment applied, without the artist giving up on the details of clothes and decorations, which end up giving the scene an air of theatricality. The red and pink applied to some details of these scenes emphasize even more the lust.
link:https://www.youtube.com/watch?v=6gfh2WQV25M
5 comentários - Katou Kahoru or the Art of Flogging
Tus post me recuerdan mucho a un grosso de taringa, inefablementerotica